Sometimes by MIKE MILLS

Music video by MIKE MILLS for the 1999 song SOMETIMES by LES RYTHMES DIGITALES.

The Lost Tribes of New York City

Directed by CAROLYN and ANDY LONDON

BARR: First song

Artist BRENDEN FOWLER'S spoken word project BARR performed last night at the New Museum, NYC, where he also has work in the YOUNGER THAN JESUS generational exhibit up now.

This video was made by DAVID HORVITZ.

Alex Bag, first tape

Video artist ALEX BAG got her start producing videos for public access television. After getting kicked off the airwaves (twice), she found her distribution home among the art galleries, where she's been making her living lampooning the very world that accepts her.

Her first tape, and only one available for viewing, is from 1995, and includes BAG's signature one-woman performances, incuding the evolution of an SVA student. It's worth watching all the way through. I especially love the "Seudehead" segment.

Concerning distribution and exhibition, it's my belief that BAG's anarchist art world vision is being subsumed by the art world itself. ALEX: Break free and distribute your own work, either online or by DVD. You have an audience waiting for you when you do.

Gremlins vs the Avant-Garde

When I first saw GREMLINS 2 at a movie theater as a kid, it included this now famous scene involving HULK HOGAN. In a bold, self-described "anarchist," move, filmmaker JOE DANTE included a scene in which it appears the film is broken (by Gremlins in our projection booth!), and the HULK has to convince them to start it again:



When the movie was put out on home video, the filmmakers decided to put together a scene in which it appeared that gremlins had taken over the video feed, and, um, started flipping channels, I guess:



Of course, GREMLINS 2 wasn't the first film to "break the fourth wall," but certainly it is one of the most high profile.
Cheers to anarchy in Hollywood!

The Crying Game

Take Time

One of the prevailing features in the music of avant-garde pop-collagists THE BOOKS is laughter. The sense of wonder and play might be one of the reasons they're not taken seriously, in a form that applauds grim seriousness and esoterica.

The proof to the importance to THE BOOKS, I believe, lies in their self-produced music videos. Since the band had always used audio samples in their music from found video clips, it made sense to source a lot of that audio back to its original video for visual accompaniment when playing live. When I saw the band play live along with this clip, I was completely floored. THE BOOKS manage to take on all of experimental video, found footage, and collage art, and come out on top with one of the most strange, uplifting, and joyful pieces of cinema I've ever seen.

TAKE TIME is certainly one of my favorite little movies ever. This, and more by THE BOOKS are collected on the PLAY ALL DVD.

Battle In Heaven

Trailer for the CARLOS REYGADAS film BATTLE IN HEAVEN, 2004.