Poetry in motion: A video weblog
Saturday, April 23, 2011
William Eggleston's Movie
In 1974, photographer WILLIAM EGGLESTON started using a Sony Portapak video camera, modified with his own prime lens. The technology was very new, and it is suggested that the people being shot didn't really know what it was and because of that their characters are that much more vibrant.
Whether that is the case or not, the footage she shot that year was edited into the film STRANDED IN CANTON, and it stands as one of the most enchanting "movies" I've ever seen. Mostly portraits around his small town in Tennessee, HARMONY KORINE has cited it as an influence on his recent TRASH HUMPERS, shot in the same area.
Labels:
Film scenes,
Video Art,
William Eggleston
Saturday, January 15, 2011
People Doing Stuff
A perfectly guileless presentation, as advertised. The original post on YouTube describes it best: "It's oddly satisfying."
A 2007 film by KOKI TANAKA entitled EVERYTHING IS EVERYTHING.
Labels:
Koki Tanaka,
Structuralism,
Video Art
Everybody Loves James Franco
Part of a series directed by SOLVE SUNDSBO, and published online by The New York Times Magazine. Shot in rich black and white, and scored in silent film style, they called it 14 ACTORS ACTING.
Could not this collection of short clips—a structuralist's dream of Hollywood—be the film of the year?
Labels:
James Franco,
Owen Pallett,
Solve Sundsbo
The Serpentine Dance
A hand-painted film of pionner modern dancer LOIE FULLER, circa 1896.
Although shot in black and white and later colored by hand, for the live performance, I am told, these dancers were shone with colored lights to achieve a similar effect.
Labels:
dancing,
hand-painted,
Loie Fuller
Video Describing a Line Describing a Cone
The 1973 film LINE DESCRIBING A CONE is one of my favorite films of all time. I first saw Mr. ANTHONY MCCALL's ground-breaking film at the WHITNEY museum in 2003, with no prior knowledge, and it is truly a film that must be seen in person to be properly enjoyed.
Incidentally, I saw a new installation of MCCALL's work last year, which used video projections rather than film. The difference was palpable.
Labels:
Anthony McCall,
Art Film,
Experimental
O Pioneers
In the youthful exuberant style reminiscent of photographer RYAN MCGINLEY, this commercial from a 2009 Levi's ad campaign, was directed by video artist M BLASH.
Accompanied by the poetry of WALT WHITMAN, the work inhabits the spirit of young America, albeit for commercial purposes.
Labels:
commercials,
M Blash,
Ryan McGinley
Monday, December 13, 2010
Uncle Boonmee Who Can Recall His Past Lives
Nobody is making films like Thai filmmaker APICHATPONG WEERASETHAKUL. The trailer for his new film UNCLE BOONMEE WHO CAN RECALL HIS PAST LIVES is a glimpse into the world of a filmmaker who deftfully handles the metaphysical and the impermanent with a Buddhist's grace and humor.
Labels:
Apichatpong Weerasethakul,
Film Trailers
The Spirit Was Gone
In this videoclip for ANTONY AND THE JOHNSONS, the famed Japanese Butoh dancer KAZUO OHNO is resurrected via archival footage. Mr. OHNO, who appeared on the cover of ANTONY's 2009 album THE CRYING LIGHT, is given a fitting memorial here.
Labels:
Antony and the Johnsons,
dancing,
Kazuo Ohno,
music videos
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